![]() “We got back to our roots and set about on our next creative evolution through doing so.” “It was like being 12-years-old again and locking yourself in a room with your guitar amp and total freedom,” Blake smiles. Without showing anyone outside of the core three-piece, they allowed the songs to evolve over six months, adding and tweaking along the way.Īfter laying down the music at Korneff’s spot, Blake personally tracked his vocals in his home studio. Instead of penning a handful of songs and rushing to the studio, they accumulated nearly 100 pieces of music on their own. producer Dan Korneff, but they revised and revamped the entire process prior. “Lightning In The Sky” generated over 3 million Spotify streams and “The Bottom” cracked 2.6 million as the band regularly averaged nearly 200K monthly listeners on the platform.įollowing tours alongside Skillet and Alter Bridge, the group returned from the road to commence work on what would become Signals in 2017. Meanwhile, the band lit up festivals a la Rock on the Range in addition to touring alongside Sevendust, Three Days Grace, In This Moment, and many more. 2014’s Time & Pressure yielded the Active Rock Top 10 hit “Good Man,” which impressively sold 100,000-plus singles. We highlight the fact it’s a gift on this record by looking at everything from a different angle.”Ī growing discography and countless gigs positioned the trio to do so. We can’t take credit for the ability to create. “Whether or not we make music, we’re recognizing the fact we’re lucky enough to do this. ![]() “We’re celebrating this community first,” adds Blake. ![]() We’re just honored to have the opportunity to make another record and put everything into it.” Rather, they’re all gifts we’ve organized and put into the soundtrack for a community story. “We’re admitting we don’t have ownership of these songs. We said, ‘Fuck all of this tired bullshit’,” he exclaims. It’s stuck in The Matrix where the artist is on a pedestal and the fan is below. A lot of times, that’s not clear in this business. There’s no distinction or hierarchy between us and the people who listen to us. “The choice represents a certain integrity. “If you’re part of the rock community, you’ve chosen to be a musical outsider,” says Joey. The trio-Blake Allison, Joey “Chicago” Walser, and Ronnie Farris -focused on getting closer than ever before by preserving the purity of these “signals” and honoring the crowd above all. On their aptly titled third full-length album and first for Fearless Records, Signals, Devour The Day didn’t just blur the line between musician and listener they abolished it entirely. On their aptly titled third full-length album and first for Fearless Records Read Full Bio Much like beacons, artists of all kinds receive transmissions of inspiration, process them, interpret them, and emit them back to the world. Most importantly, the message only resounds when the audience responds and resonates. It resembles an active admission of humanity in all of its idiosyncrasies and imperfections. To thrive and ultimately succeed, this process requires shedding ego and letting go of pride. Much like beacons, artists of all kinds receive transmissions of inspiration, process them, interpret them, and emit them back to the world.
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